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Can art put us in touch with our feelings about climate change?
What does climate change look like in Australia? Are we already seeing our landscapes shift before our eyes without even realising it?
Perhaps thought-provoking art can help us come to terms with our changing world, by finding new ways to engage, inform and hopefully inspire action. For hasn’t art always been the bridge between the head and the heart?
With that aim, the ART+CLIMATE=CHANGE 2017 festival, organised by CLIMARTE, features 30 specially curated exhibitions running from April 19 to May 14 in galleries across Melbourne and regional Victoria, following on from their previous award-winning festival in 2015.
Changing landscapesOne of the festival’s exhibitions is Land, Rain and Sun, featuring more than 100 landscapes dating from the 19th century to today, curated by gallery owner Charles Nodrum and captioned by us to offer a climate scientist’s perspective on the works. We also collaborated with CLIMARTE directors Guy Abrahams and Bronwyn Johnson to bring the idea to life.
The exhibition, featuring Australian artists including Sidney Nolan, James Gleeson, Eugene Von Guerard, Louis Buvelot, Russell Drysdale, Fred Williams, Michael Shannon and Ray Crooke, is designed to help start a conversation about what climate change might look like in Australia.
Curating an exhibition of artworks as seen through the eyes of a climate scientist poses a challenge: how can we help make the invisible visible, and the unimaginable real?
As we sifted through scores of artistic treasures, there were a few works that confronted us in unexpected ways. The first was Cross Country Skiers, painted in 1939 by renowned South Australian artist John S. Loxton. It depicts the Victorian High Country heavily blanketed in snow, as two skiers make their way through the beautiful wintery landscape.
John S. Loxton, Cross Country Skiers, Victorian High Country, c. 1935. Watercolour on paper. Charles Nodrum Gallery, Author providedWhen we saw this image, we realised that in decades to come this work might be considered a historical record, serving as a terrible reminder of a landscape that vanished before our eyes.
Average snow depth and cover in Australia have declined since the 1950s as temperatures have risen rapidly. Under high greenhouse gas emissions scenarios, climate models show severe reductions, with snow becoming rare by late in the century except on the highest peaks.
The Australian ski season could shorten by up to 80 days a year by 2050 under worst-case predictions, with the biggest impacts likely to be felt at lower-elevation sites such as Mt Baw Baw and Lake Mountain in Victoria.
As temperatures continue to rise, our alpine plants and animal communities are in real danger of being pushed off mountain tops, having nowhere to migrate to and no way of moving from or between alpine “islands”.
James Gleeson’s surreal apocalyptic painting Delenda est Carthago is a provocative work that got us thinking about a future marred by unmitigated climate change. The title refers to Rome’s annihilation of Carthage in 149 BC. According to the ancient historian Polybius, the conquering Roman general, Scipio Aemilianus, famously wept as he likened the event to the mythical destruction of Troy and to the eventual end he could foresee for Rome.
James Gleeson, Delenda est Carthago, 1983. Oil on linen. Charles Nodrum Gallery, Author providedAs climate scientists, we are disturbingly aware of the threats to society not only here in Australia, but all over the world. Unmitigated human-induced climate change could potentially see the planet warm by more than 4℃ by the end of the century.
In Australia, inland regions of the country could warm by more than 5℃ on average by 2090. In Melbourne, the number of days over 40℃ could quadruple by the end of the century, causing extreme heat stress to humans, wildlife, plants and infrastructure, especially in urban areas.
Warming of this rate and magnitude is a genuine threat to our civilisation. Gleeson’s artwork made us consider that the unimaginable may happen, as it has in the past.
On a more optimistic note, Imants Tillers’ work New Litany highlights the importance of communities taking a stand for environmental protection. Over our history Australians have fought against logging of native forests, nuclear power, whaling, and for the restoration of dammed river systems like the Snowy.
Imants Tillers, New Litany, 1999. Synthetic polymer paint and gouche on canvas. Charles Nodrum Gallery, Author providedPublic concern in Australia about climate change reached a peak in 2006, largely in response to Al Gore’s film An Inconvenient Truth and Tim Flannery’s book The Weather Makers. Yet the decade since then has brought political turmoil, and national greenhouse emissions continue to rise.
The recent March for Science is a reminder that the stakes are now higher than ever before, and that many people really do care about the future.
The science is telling us that our climate is changing, often faster than we imagined. The range of CSIRO’s latest climate change projections reminds us that the future is still in our hands. We can avoid the worst aspects of climate change by reducing our greenhouse gas emissions, but we need to act now.
Art has always been a powerful portal to understanding how we feel about our world. Let’s hope it helps safeguard our climatic future.
Joelle Gergis receives funding from the Australian Research Council
While at CSIRO (1989-2014) Penny Whetton's research team received federal government funding for climate projections research.
New York Times wants to offer diverse opinions. But on climate, facts are facts | Jane Martinson
Facts, truth and opinion, always at the heart of journalism, are now the cause of an existential crisis over why it exists
Right after the election of Donald Trump, a man widely considered a fake and a fool by many of its writers, the New York Times issued an extraordinary statement promising to “strive always to understand and reflect all political perspectives”.
In April, amid criticism that the Times, along with others in the mainstream media, had ignored the concerns of the American masses, the paper appointed a conservative columnist known for controversial views on climate change, race and gender. Welcoming Bret Stephens, the opinion page editor said that Times’ subscribers “want their views to be challenged.”
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Keystone XL: Republican ranchers join the fightback in South Dakota – video
After Trump’s revival of the Keystone XL pipeline project, some communities along its route are getting ready to fight back. Others see the US president keeping his promise to ‘make America great again’. The Guardian drove along the proposed route of the pipeline, through three red states – Montana, South Dakota and Nebraska – to hear what those who will be affected have to say about it
- Keystone defiance triggers assault on a constitutional right
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Adani may face fine over sediment released in floodwaters after Cyclone Debbie
Queensland environment department says it is considering action against mining giant with fines of up to $3.8m possible
Adani faces a possible multimillion-dollar fine for environmental breaches over floodwaters released from its Queensland coal port after Cyclone Debbie.
The Queensland environment department said it would consider “compliance action” against Adani over discharges of water containing more than eight times the level of sediment allowed from Abbot Point terminal.
Continue reading...Is the climate consensus 97%, 99.9%, or is plate tectonics a hoax? | Dana Nuccitelli
A new study argues the 97% climate consensus estimate is too low, while deniers claim it’s too high
Four years ago, my colleagues and I published a paper finding a 97% consensus in the peer-reviewed literature on human-caused global warming. Since then, it’s been the subject of constant myths, misinformation, and denial. In fact, last year we teamed up with the authors of six other consensus papers, showing that with a variety of different approaches, we all found the expert consensus on human-caused global warming is 90–100%.
Most of the critiques of our paper claim the consensus is somehow below 97%. For example, in a recent congressional hearing, Lamar Smith (R-TX) claimed we had gone wrong by only considering “a small sample of a small sample” of climate studies, and when estimated his preferred way, it’s less than 1%. But in a paper published last year, James Powell argued that the expert consensus actually higher – well over 99%.
Continue reading...My dog is a registered waste collector, says critic of lax regulation
Environmental consultant says light-touch approach is leading to record levels of waste crime, costing £600m a year
Regulatory failings are contributing to fly-tipping and waste crime costing more than £604m a year, according to an investigator who was able to license a dog as a rubbish collector.
A report by an environmental consultancy, Eunomia, says “systematic failure” to regulate the more than 180,000 waste carriers, brokers and dealers is leading to record levels of crime.
Continue reading...Crab invasion in the Bay of Pigs in Cuba – in pictures
Every year, after mating season, millions of red, yellow and black landcrabs invade Playa Girón, on the eastern side of the Bay of Pigs or Bahía de Cochinos. The crabs migrate from the surrounding forests to the bay to spawn in the sea
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Washed up whale 'most contaminated' on record
With gas and hydro plans, the government is looking at the whole picture
Australia, like many countries, is grappling with an energy market in transition. It’s a politically fraught topic, but two major policy developments create hope for a better approach.
Prime Minister Malcolm Turnbull announced last week that he will restrict gas exports and reserve supplies for Australians. This comes on the heels of an ambitious plan to increase hydroelectricity capacity in Tasmania.
Following unproductive talks with gas producers to try to ensure a secure domestic supply, the government has said it will force companies to reserve gas for the local market if a shortage is forecast. This is designed to reduce domestic retail prices for gas and ensure energy security.
Just one week before that, Turnbull presented proposals to invest in pumped hydroelectricity in Tasmania, by redeveloping the old Tarraleah scheme, enhancing the Gordon Power Station and exploring several new schemes. This follows the announcement of a A$2 billion expansion of the Snowy Hydro scheme and a plan to build a pumped hydro plant at Spencer Gulf in South Australia.
Both announcements are a potent reminder that the energy security challenge exists on different scales. The gas plan highlights short-term energy security concerns, with the ability to respond quickly to sudden changes in supply and demand.
On the other hand, the hydro plan zeroes in on the challenge of long-term energy security. Tasmanian Premier Will Hodgman is optimistic that, if approved, the plans would set Tasmania up “for the next 100 years”; Turnbull said it would make the state “the renewable energy battery of the nation”.
Plans to develop the Gordon Dam in Tasmania will massively increase hydro power output. david_pointing/Flickr, CC BY-SA Will these plans work?Investment in long-term development is essential, even when it’s difficult to assess future returns. A feasibility study is evaluating the Tasmanian plans, but it’s clear that with better connection to the mainland, more hydro would boost Australia’s capacity for energy storage. It could also ease export limitations on Australian gas companies.
Of course, it is also tricky to predict the success of short-term initiatives. Economists are split on whether gas export restrictions will lessen concerns about an east coast supply crisis.
Regardless of whether the restrictions work exactly as intended, the government has signalled that it will be a temporary measure. Australia needs sustained policy follow-through.
The only long-term solution is to increase national output, starting with Tasmanian hydro and other cheap, cleaner energy installations.
The Clean Energy Council has said that increasing Tasmanian hydro will be part of the solution to high gas prices:
Renewable energy is now the lowest-cost form of energy it is possible to build in Australia today. A balanced approach, incorporating hydro, renewable energy such as solar and wind and other forms of grid-scale storage, makes a lot of sense.
Consumers on Australia’s east coast could have their energy cheap and clean. Once built, hydro power has attractively low operating costs and, with better regional interconnection, the increased capacity for storage could make for a smarter, more resilient Australian grid. The low greenhouse gas emissions from hydropower are added value.
Australia has decades of hydro power experience under its belt, with 40% of its renewable electricity now generated by hydro. Hydro power contributes about 85% of renewable electricity worldwide. The question, therefore, is not “will it work?”, but “how quickly can we make it happen?”
The plans for gas export restrictions will first undergo consultations, with Turnbull expecting them to take effect as early as July 1. Plans for Tasmanian hydro will likely take longer, as funding has been secured only for the feasibility studies at this stage.
If Turnbull’s plans to restrict gas exports succeed and east coast energy security concerns continue, increasing Tasmanian hydro and other new energy installations could lead to a reduction in gas export restrictions and a gradually more self-reliant Australian market.
Cle-Anne Gabriel does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond the academic appointment above.
The ancient magic of apple blossom time
Wenlock Edge We have lost so many old orchards here that this young tree will hopefully encourage future planting
To misquote the old Andrews Sisters song about a May Day wedding: “I’ll bewitch you, in apple blossom time.” Apple blossom has powerful emotional, cultural and ecological significances, each of which is inseparable in these woozily psychedelic days of spring.
There’s a small apple tree planted a few years ago behind the windmill on top of the hill. It’s grafted from a scion cut from a hedge apple about half a mile away as the crow flies, selected for its beautiful blossom. This simple act encapsulates centuries of cultivation and the ancient art of growing the branches on one tree on the roots of another.
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